Aria Spinta (programme from the performance)
Sing Your Song, Alfred! (Lidové noviny)

Photos from the performance
Music from performance




Aria Spinta

Choreography and direction: Lenka Flory a Simone Sandroni
Creation and interpretation: Ivana Jozic (Croatia), Teodora Popova (Bulgaria), Simone Sandroni (Italy), Anise Smith (USA) and Ondrej Vajsar (Czech Rep.)
Music dramaturgy: Gäetan van den Berg (Belgium)
Original music: Bruno De Franceschi (Italy)
Light design: Vincent Longuemare (France)
Costumes: Lenka Flory (Czech Rep.), Michaela Šiškinová (Czech Rep.)
Technical Direcion: Jan Beneš (Czech Rep.), Robert Štěpánek (Czech Rep.)

"… energetic, enigmatic work that evoked all the confusion and complexity of the human experience."
The Herald Sun, Durham, NC

If Alfred hadn't made such a bad joke, and interrupted Ursula's solo during the most critical moment, then Frank wouldn't have remained, bound and helpless, hanging on the stage alone, Sofia wouldn't have tried to utilize the situation and leave her job which has left her exhausted after working there for such a long time, and Laura wouldn't have tolerated anything that isn't as she wants, and the performance would have happened without any squabbles, hugging and consoling, without shame, fear, and unending persuasion.

Czech premiere - September 29 and 30, 1999 at 8:00 p.m., Archa Theatre

Production: Déjá Donné Production
Co-production: La Filature Mulhouse, De Singel Antwerp, Hebbel-Theater Berlin, Internationales Sommertheater Festival Hamburg
Supported by: město Cagli, Siparlo Ducale Festival Italy, Open Society Fund Prague, City of Prague, Ministry of Culture Czech Republic





Sing Your Song, Alfred!

The international group, led by the Czech-Italian duo Simone Sandroni and Lenka Flory, Déjá Donné Production, presented their newest performance Aria Spinta in Prague's Archa Theatre. Sandroni, who makes a great impression in the performance with his sense of humor, is perhaps the only foreigner in the Czech Republic who remains and works as a choreographer. Here, he has influenced the formation of the school of young Czech choreographers from the Duncan Centre Conservatory.
          Simone Sandroni and co-creator of the performance Lenka Flory were very lucky this time. A performance of great ease, free and balanced rhythms was created from the intentions of Sandroni's favorite poetics of "non-success" and sticky situations, in spite of the reflectors falling down... terrifying the dancers, the black walls collapsing all around the stage, muffling up the characters, revealing the group of dancers happy moment only one moment ago, now hiding before the chaos arrives. Those who remain on the stage lay on the floor for their own certainty. The worried clown, Simone, tries to save everything using his cabaret charm. This time, Flory and Sandroni were very lucky with their dance team. In addition to dancers from Croatia, Bulgaria, the U.S. as well as Sandroni himself, Czech dancer, Ondřej Vajsar (alias Alfréd) feels the stylistic subtleties perfectly with this choreographic work. Everything is one big dance cabaret - civil, funny, and open to everyone.

Nina Vangeli, Lidové noviny, 4. 10. 1999